The Spanish Progressive Rock Encyclopedia

The opinions and feelings are from a number of afficionados to this genre, so the descriptions and opinions contained in the entries do not necessarely match mine. Any correction or addendum is welcome. Send them to me via e-mail to inesta[sorry]dlsi.ua.es and the entry will be updated. Thanks for your collaboration!

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Last time updated on
Sep-15-2016

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 Azahar 

 From:

    Madrid  

 Musicians: (original line-up and changes between parenthesis)


Ricardo "Dick" Zappala (vocals and keys), Gustavo Ros (keys) (by Manolo Manrique), Antonio Valls (guitar), Jorge "Flaco" Barrall (bass) and Willy Trujillo (drums) (by Manolo Giménez, ex-Crack).


 Discography:



Elixir
(1977)


Azahar
(1979)

Singles:

¿Qué Malo Hay, Sr. Juez? / Mercaderes
(1978)

La Naranja y el Limón / Zahira
(1979)

Noche de Primavera / Expreso de Ketama
(1979)

 Web page:

    Link    

 Opinions and other informations:

    

Late '70s Spanish progressive outfit which in many ways is typical of the other bands from that country. They mix excellent guitar (a trademark of bands from Spain) with Spanish folk influences. Vocals are in Spanish, in the Andalusian style. These albums are nice, but they are not the best that Spain has to offer. For the Spain novice, I recommend to check out Bloque, Triana, Crack, Mezquita and Granada. (Juan Joy)


Elixir, the only Azahar I have heard, is very good Spanish prog with hints of middle eastern influences often heard in Spanish prog. Style- wise, Azahar are in the vein of Mezquita, though not quite as good. Dominated by distinctive guitar style, over layers of synth. When they use acoustic guitar, they sound somewhat comparable to Triana, but with less obvious flamenco influences. The electric guitar can get very intense. The synth textures and tones is very reminiscent of Mezquita. The instrumentals are very nice, starting with a subdued theme and building layer upon layer to a climax. Vocals, in Spanish, are kind of rough but not overbearing. (Mike Taylor)


I disagree in several points because I lived all the Azahar's career. They can not be compared to Triana since Triana amde what they call Flamenco Rock without using arab sounds. Mezquita appeared after the big impact of Azahar, that reached the top of the charts, doing flamenco rock with arab touches, using the most advanced technology of their time, that other flamenco rock bands did not use. They were a very innovative band, very compromised with their ideals of liberty. They had to stop their recordings because the censors of the regim realized that they were asking for the legalization of marihuana and the singer Dick Zappala was arrested and put out from Spain (he was foreigner). Anyway, the guitarrist Antonio Valls went to Italy and he brought him back ans an illegal. All those adventures make Azahar the most contracultural band of that time and thousands of people joined in their concerts.(?)


"Elixir" has been recently re-released by Fonomusic.


Review of the record "Elixir"

Review of the record "Azahar"


Interview with Jorge "Flaco" Barral (in spanish)


MySpace of Dick Zappala