Track list:
- Primigenial Frontier
- Predawn Darkness
- The Threshold
- Invisible Jewell
- The Great Sparkling Dome
- Soundless Sign
- Far beyond the Immobile Point
Line-up:
- Max Corbacho: solo keyboardist
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Utilizando influencias del mejor de ambiente flotante, desde Steve Roach a
Robert Scott Thompson, Max Corbacho pone su sello personal sobre este
género en su segundo CD, una sólida continuació,n de su
muy buen CD "Vestiges". Se ha prescindido de los elementos tribales esta
vez, dejando un paisaje sónico más disperso y, en ocasiones,
oscuro. De las luces trémulas y suaves de "Primigenial Frontier"
hasta las vibraciones de "Predawn Darkness", la atmósfera en general
es dramática, aunque serena y bella. "Predawn Darkness" en particular
recorre la fina línea entre la oscuridad y la belleza de forma
admirable. Los fans de Roach pueden recordar su épica "The
Magnificent Void." Su profundidad es de primera y su expansividad es
palpable. "The Threshold" tiene un carácter metálico, pero no
chillón, con ricos matices tonales. Un fondo de extraños
ruidos realmente refuerzan la atmósfera. De todas formas, No todo es
oscuridad y cavernas. "Invisible Jewell" tiene elegancia y calidez, aunque
está fuertemente arraigada en los terrenos de la "new age". "The
Great Sparkling Dome" es un tema más luminoso en determinadas partes,
pero tendente al minimalismo sónico, volviendose casi silencioso
aquí y allá. Muy calmado y con los tintes de oscuridad
correctos. "Soundless Sign" es, como su nombre indica, la pieza más
tranquila, aproximándose a la suave quietud. Finalmente, el tema de
20 minutos que da título al disco nvuelve las cosas perfectamente,
cambiando lentamente y flotando hacia una conclusion chispeante y espaciosa.
(Escrito por Max Corbacho)
Drawing on influences of the best of floating ambience, from Steve Roach to
Robert Scott Thompson, Spaniard Max Corbacho places his own stamp on the
genre with his second CD, a solid follow-up to his very good "Vestiges" CD.
The tribal elements have been stripped away this time around, leaving a
sparser, sometimes darker sonic landscape. From the high soft shimmers of
"Primigenial Frontier" to the low rumblings of "Predawn Darkness," the mood
throughout is haunting and dramatic, yet serene and beautiful. "Predawn
Darkness" in particular walks the tightrope between darkness and beauty
quite admirably. Roach fans will at once think back to his epic, "The
Magnificent Void." The deep, low drones are first rate, and the feeling of
expansiveness is palpable. "The Threshold" has a metallic character, almost
but not quite shrill, with rich tonal qualities. An undercurrent of strange
percolating noises really enhances the atmosphere. Not all is darkness and
crevasses, however. "Invisible Jewell" has elegance and warmth, though it
is still rooted firmly in ambient rather than new age realms. This is
perfectly soothing, comparing favourably with Thompson's excellent work,
"The Silent Shore." "The Great Sparkling Dome" is also a bit brighter in
parts, but still tends toward minimal broad strokes of sound, becoming
almost silent here and there. It is very calming and relaxing with just the
right tinges of darkness. "Soundless Sign" is, as it implies, the quietest
track, approaching soft stillness. Finally, the 20-minute title track wraps
things up perfectly, slowly shifting and drifting to a sparkling, spacious
conclusion.
(Written by Max Corbacho)
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